Existential quandaries meet expressionist monsters in Takahide Hori’s dystopian world

Envisioning a dystopian future where humans inch closer to immortality while losing the ability to procreate, Takahide Hori’s stop-motion adventure journeys through a gloomy, dilapidated universe filled with exquisitely strange creatures. Considering that the film is mostly a one-man operation – Hori pores over nearly every technical aspect himself – the worldbuilding details are simply extraordinary, bringing to mind the nightmarish virtuosity of Phil Tippett’s Mad God.

Seeking a solution to a diminishing population, a human scientist plunges into the subterranean domains inhabited by the Magarins, mutants whose labour powers the running of the city above. After an accident obliterates his physical form, the mind of our wandering protagonist is transferred into a succession of mechanical guises, blurring the difference between his humanity and the clone workers.