Cottontail review – life lessons are learnt in tender, Beatrix Potter-inspired tale
A Japanese man journeys to the Lake District to honour his late wife, testing his relationship with his son in the process
The curse of Beatrix Potter-associated cinema – from the lamentable Peter Rabbit films to the merely dismal Miss Potter – is lifted, at least temporarily, by the debut feature from Patrick Dickinson, even if his picture’s relationship to Potter’s work is purely tangential.
It was as a child on holiday in Windermere in the 1960s that Akiko (Tae Kimura) was first enchanted by the author’s stories. After her death from Alzheimer’s, her husband, the novelist and teacher Kenzaburo (Lily Franky), is given a letter written in the early stages of her diagnosis in which she asks him to travel from Tokyo to the Lake District to scatter her ashes in that cherished location. Though he has a strained relationship with their son, Toshi (Ryo Nishikido), Kenzaburo allows him and his family to come along on the emotional expedition, only to feel constrained by the timetable that Toshi imposes. Soon, the old man is off on his own, pedalling around the English countryside without a map.